Darkest Light

Darkest Light

Book - 2013
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The breathtaking follow-up to the award-winning Half World

Adopted as an infant, Gee has been kept ignorant of his troubled past. Now, at sixteen, he is a loner both despised and feared by his classmates. Dark feelings slowly grow inside him, but as he struggles to control them, his past catches up with him. Abandoning his adoptive grandmother and the place he has called home, Gee is compelled to travel to Half World, one of the Three Realms all living things must pass through. Fractured at one time, the Realms of the Flesh, Spirit and Half World have been reunited, but they are at risk: their fate rests on Gee's own journey of self-discovery. With two unlikely companions, a heartless cat and a self-destructive Neo Goth girl, Gee must fight the monstrous and the horrific--and, most difficult of all, he must overcome his own propensity for evil.

Gripping and mesmerizing, Darkest Light is a compelling journey through despair in a desperate search for redemption.

Publisher: Toronto : Razorbill, 2013.
ISBN: 9780143178279
Branch Call Number: GOT
Characteristics: 328 p. : ill.
Additional Contributors: Tamaki, Jillian 1980-- Illustrator

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croxall Mar 30, 2013

This book was a weird and violent read! I made it to page thirty but then was completely grossed out. So far the plot is floppy and characters are flat and depressing.

y
ychi
Jun 26, 2012

With both a prologue and an introduction, the first chapter’s frontloaded backstory—however succinct—bogs the reader even further down. Add to that the fact that Gee isn’t the most likeable hero, and we have a slow start to this sequel to Half World (Razorbill, 2010). Of course, there is a reason why Gee isn’t likeable. His struggles with his inner self are realistic, but also prevent any kind of smooth character development; the instant that Gee starts feeling more human, his evil voice will speak up, or vice versa, and they’ll be back at square one.

Cracker, the Goth girl, is spastic, prone to mood swings and occasionally irrational. The only thing that makes her identifiable as a Goth is her attire. Thus Cracker is not a stereotype, but she also doesn’t seem like a real person. The emotion that leaks through in Half World thanks to her sister’s death goes a ways to making her seem genuine, but it’s only when she shows her guts against Gee in the climax that we start to like her. White Cat is, unfortunately, a stereotype—the condescending animal companion who only has advice to sling around in the form of insults. However, he provides excellent and timely comic relief when not playing his role.

The plot moves smoothly, thank goodness. A few bends and kinks illustrate the depth of Hiromi Goto’s creative Half World, but not so many as to tire us with the amount of misery. The suffering in the story balances neatly with the theme of redemption. It’s the ending where Goto’s writing shines best, flowery-eloquent. Her ability to write an Oriental language as English is also excellent; Ming Wei’s maternal speeches are Chinese if I ever heard it before: “And no more swearing! Wahhhh! Such a mouth on this one! …She has too much heat. Yin deficiency. She needs a soup. And lessons in manners.”

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